SiteScout
App developed for location scouts to catalog location information. Users can map a location from built-in GPS, photo EXIF, or an address search bar. Geocodes lat/long into physical address. Unique nested folder tableview uses custom gesture recognizers for data sorting. User can attach multiple images, notes and contacts from their address book to each saved location.
25 Responses to "SiteScout"
Hello, I currently work as a betauician and a freelance Airbrush Make-Up Artist in Cambridge providing make up services at exhibitions and events throughout Cambridgeshire. My last promotion was at Newmarket Wedding Exhibition and London for a 3D film. I work with brides, giving them the exquisite look they need for their big day. I have seen your website and would love to work with you. Please let me know if this will benefit you in any way. My tel 07427670025 Thank you, Elena
night and day, I thank the good God for having so arnaegrd our lives that our dear Armand will never know that his mother, who adores him, belongs to the race that is cursed with the brand of slavery (page 4, paragraph 4). This is the most ironic quote in the whole story, because he has just sent his wife, Desiree, away for having a black baby because he thinks shes not white. Truth be told, he’s the one that’s black.
That was the way all Aubignys fell in love. As if struck by a ptisol. This quote displays irony because Armand had fallen in love with Desiree quickly but when he found out that she might not be white, he immediately fell out of love with her. This is almost the opposite of what had happened with the elder Aubigny, Armand’s father because he fell in love with Armand’s mother despite her race.
Another fascinating project, i look forward to the results and further technical reflections. And I’m bringing this into the classroom tomorrow as an example of your extension of the “click!” project – I see it as more potentially educational since we’re also learning about a period/origin of art that is little studied in the typical course of art history studies in the States.My personal observations: I wonder if you’ll get lower ratings for horizontally-oriented images. I found them harder to see, simply because the images are limited to a set horizontal pixel width. For a similar reason, I wonder if people will respond more favourably in the split-second test to simpler images, perhaps with bright colours.In the longer “reflection” test, I found that learning the story behind the style and content of each work increased my appreciation of it, but that expressing an opinion of it on just one scale wasn’t sufficient. I wanted to judge its merits on scales related to artistic skill or aesthetics on one hand, and on the other hand rate how interesting it is to me… with due note to the fact that the wording “how do you rate – mah/amazing” is entirely open to interpretation.
Another fascinating project, i look forward to the results and further technical reflections. And I’m bringing this into the classroom tomorrow as an example of your extension of the “click!” project – I see it as more potentially educational since we’re also learning about a period/origin of art that is little studied in the typical course of art history studies in the States.My personal observations: I wonder if you’ll get lower ratings for horizontally-oriented images. I found them harder to see, simply because the images are limited to a set horizontal pixel width. For a similar reason, I wonder if people will respond more favourably in the split-second test to simpler images, perhaps with bright colours.In the longer “reflection” test, I found that learning the story behind the style and content of each work increased my appreciation of it, but that expressing an opinion of it on just one scale wasn’t sufficient. I wanted to judge its merits on scales related to artistic skill or aesthetics on one hand, and on the other hand rate how interesting it is to me… with due note to the fact that the wording “how do you rate – mah/amazing” is entirely open to interpretation.
so whats the deal? when the music you play stops being popular; all you have to do is cnhgae your name and start producing the new hotness? lol
I find this politically highly suspicious and manipulative. If this would be a scientific experiment (how many figures can you count in a split second) – oh, well, just fine. Regarding any aesthetic or curatorial criteria, this undertaking is pandering to crowd-sourcing and old people trying to connect with what young people use. It’s the prejudice accelerator. You know that curator comes from Latin curare – it means to take care of, to foster, to look after – it’s about time and love – and taking responsibility for one’s action. Art is about observing, taking time, looking in detail – opening one’s mind to other perspectives which one had not encountered yet. If this “experiment” (which it is absolutely not – it is only superficial and it’s all in the eye of the beholder=reviewer of the collected data) so: if this “experiment” is really meant to bring meaning forward, to add to what you don’t know, you will most likely only see as result what you knew before.
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I really liked this post, but I do think that you are being a bit too hard on the artist. Also, the presentation was made as part of a conference, so I think the context is also very important here. What I gathered from the whole conference (especially the first part, which was closed off with this presentation) was that, yes, we live in an age where activists look for exposure, and they expect this from the mainstream media, which -allegedly- they do not trust. That is kind of silly. And we have information, lots and lots of it, is that still what we need more of in order to make a change? Jodi Dean asked whether the main problem of this age _really_ was about not having enough information, probably not.So this was kind of the frame in which she presented. She did finish off by saying that she realized that having exposure to the issue and having fame wasn’t the solution, like she thought it’d be. Still, nothing had changed, so she is looking into other forms of helping the darfur case. But yes, the bottom line is: “The eternal question of âcriticalâ art returns: should we participate in the spheres we try to critically address and go against, to operate from within, as this is supposedly the only means by which to generate publicity and thus change, or should we hold to our principles and accept a life in the shadows?” You are absolutely right with this, even though I don’t think the internet can break this cycle, I still believe that it has the potential (maybe).I as really hoping that people who were at the conference would rather post criticisms about the graphic designer guy
What did you think of his presentation? I was raging.
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